It’s been a while since I made my way to Children’s Theatre Company…
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| Photo by Glen Stubbe |
But when I saw the folks involved in producing Three Little Birds I knew it was time to return. A musical of Bob Marley songs with an all-black cast featuring Nathan Barlow, Kory Laquess Pullam, a few new-to-me faces and production team including Trevor Bowen and *the* Shá Cage? I mean how could I possibly miss it?!
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| Photo by Glen Stubbe |
Three Little Birds has a little bit of the same vibe as the books of Nnedi Okorafor*, particularly Zahrah The Windseeker. The play follows Ziggy, a Jamaican boy with luscious dreadlocks who loves his island home but is scared to go outside lest he encounter a devastating hurricane or an evil local spirit like Duppy, who steals children’s hair for his powers. Ziggy is persistently chased by Nansi, a young girl with a crush on Ziggy who is a trickster with a zest for life. Ziggy’s best friend is a bird named Doctor Bird from the other side of the island, who fully embodies the relaxed, no-stress Jamaican approach to life. Ziggy’s mother Cedella hates seeing her son so shut in and encourages him to take a more childish, adventurous approach to life (and step away from the TV). After his mother’s nagging, Nansi finally convinces Ziggy to take a trip to the beach but they are quickly lost and alone in the jungle. Isolated in the dark trees, Duppy follows Ziggy in order to entrap him and steal his beautiful long dreadlocks. Ziggy and Nansi team up with the audience to defeat Duppy and save his lovely locs, retaining Ziggy’s power and defeating Duppy once and for all. They then return safely to Ziggy’s home, where they fill his mother in on the full adventure.
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| Photo by Glen Stubbe |
It’s an extraordinary amount of plot to cram into a show that’s barely over an hour long, but the cast drives us through with ease. Ellis M. Dossavi Alipoeh was charming as Ziggy, and I hope to see him shine in future productions. KateMarie Andrews was the perfect choice for mischievous Nansi, with a high energy and huge smile that wound us all in her web. Nathan Barlow’s gorgeous voice made for a delicious Doctor Bird, and my main complaint is that we did not hear enough of him throughout the show – I wanted a few more star-turning solos! Timotha Lanae brought fluttering choreography as Doctor Bird’s friend Tacoomah, and Lynnea Monique Doublette was magnificent as Cedella and other ensemble cast members. I have no idea how I’ve missed Doublette until now, but suffice to say that her outstanding charisma has me on high alert for future performances! And Kory Laquess Pullam was a clear crowd favorite as the devious Duppy; I’m not sure I’ve ever seen him have so much fun on stage, and it was such a pleasure watching him relish every sly line with a wink and a flourish. This whole team seemed to have such a blast together, and their energy really carried through to the audience.
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| Photo by Glen Stubbe |
Lawrence E. Moten III’s scenic design is a riot of color that brightly invited us to the balmy Jamaican beach, a welcome respite from the cold outside. Paired with Trevor Bowen’s equally splashy costume design, it made for a vibrant, eye-catching production. Clever lighting and sound effects from Wu Chen Khoo and Stan Severson, respectively, easily placed us from home to jungle to back again, and the performers made most of the dynamic stage. Alanna Morris-Van Tassel provided high energy, afro-centric choreography that perfectly paired with the bluesy guitars and deep drums expertly directed by Sanford Moore. Three Little Birds is not only an entertaining musical but includes hilarious educational interludes, such as an audacious depiction of the history of colonial powers on the island of Jamaica that had me in stitches but learning things as well. Overall, Director Shá Cage has brought to life an unapologetically, firmly black and proud production that couldn’t be better timed going into Black History Month.
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| Photo by Glen Stubbe |
That embrace of complexity is at the heart of Three Little Birds and a good reason to go. It’s short but packed with content; visually bright with a deceptively deep plot; filled with entertaining music and educational history that we could all stand to know a little more about. Popular culture tends to associate Bob Marley (and by extension all reggae) with marijuana and little else, which is such a shame because he stood for so much more. And in an age where black children are (incomprehensibly) still being told how to wear (and most often to cut) their hair, there is immense power and grace in seeing a positive depiction of protective styles told through a proudly black lens. Three Little Birds gently expands our understanding of island history, black hair and reggae music and wraps it in an entertaining, adventure-filled package. Please go support this dynamic young creative team – I think there’s no better way to celebrate Black History Month in #tctheater. For more information about Three Little Birds or to buy tickets, click on this link.
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| Photo by Glen Stubbe |
*If you haven’t heard of Nnedi Okorafor, I HIGHLY suggest immediately going to your local library site to order her books – think of them as a Harry Potter-style universe but exclusively African. It’s unbelievably magical. I’ll wait.
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| Photo by Glen Stubbe |
