If I could take a billboard out to make the world a better place, it would say something like: stop underestimating children.
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| Photo by Dan Norman |
I think we have a tendency to think that just because kids are small sized humans and have limited vocabularies that somehow they’re not capable of comprehending the world around them. Therefore, we tend to not explain things, or to oversimplify them, and instead leave kids to make their own assumptions about what is happening. I think that is a patently bad idea.
One of the greatest tragedies of our current political chaos is that it’s leaving children in a messy, unexplained space. They may not have the context to understand the nuance of what is happening, but they certainly know the basics – and it’s not good for them. Schoolkids hear overhear television news, their parents talking, radio news, newspaper headlines, photographs, and all sorts of gossip from other kids at school; thousands of other children are literally stuck in political crosshairs – such as those who are still in detention centers, indefinitely left without their parents – and are even worse off. It’s a mess.
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| Photo by Dan Norman |
This is why I think the Children’s Theatre Company’s world premiere show I Come From Arizona is so incredibly brave, necessary, and another must see in the #tctheater community. Who is better poised to help provide children with context about the border crisis than those whose entire mission is literally to create “extraordinary theatre experiences that educate, challenge, and inspire young people and their communities”? It’s the boldest show I’ve seen from this company yet, beautifully executed, and full of important subtext that isn’t dumbed down but is still accessible to children. It provides kids with a framework to understand the issue of immigration and what it means to them, while still leaving the space to form their own perspectives.
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| Photo by Dan Norman |
I Come From Arizona tells the story of a girl named Gabi as she learns about her family’s legal status. Gabi is beginning school at the best public high school in Chicago just as her father leaves to visit his own father, who is dying. Gabi has always been told that her family is from Arizona, but she gets suspicious due to the mysterious circumstances of the trip her father takes. Thanks to a school assignment about family heritage in her global studies class, Gabi is forced to engage her mother about their past, ultimately revealing that rather than being American citizens as she has always assumed, Gabi’s parents are undocumented. As she and her younger brother continue to hear reports about ICE raids – on the news and from friends whose parents are taken – the immigration crisis becomes terrifying and immediate. Gabi has to come to terms with her family’s identity in a legal, safety, and emotional sense, and the show ends as her father attempts another border crossing to get back home to his children. It’s a powerful, visceral ending that will linger with you long after the curtain closes.
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| Photo by Dan Norman |
One of the elements I loved so much about I Come From Arizona is that it is unabashedly bilingual, effortlessly slipping between Spanish and English. It doesn’t require you to have a knowledge of Spanish to understand, and I find it a testament to this great cast that they can move with such ease between both languages. Ayssette Muñoz is terrific as Gabi, guiding the story with a confident touch and a deep emotional range. She pulls you in with magnetic gravity, and I really enjoyed her performance. Luca La Hoz Calassara was impressive as Gabi’s younger brother Jesús, channeling the mature subject matter with a skill far beyond his age. Nora Montañez was striking as Gabi’s mother, especially with her beautiful monologue about the journey from Mexcio to the U.S. Shá Cage is terrific as Gabi’s teacher Ms. Chan; her character’s assignments are the driving force of so much of the plot, and Cage guides the audience through difficult conversations with empathy and finesse. The ensemble cast is full of similarly bright cameos, each with something to teach us and a smile to share.
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| Photo by Dan Norman |
I also really enjoyed this production design, beginning with a spectacular mural. It anchors Yu Shibagaki’s scenic design and provides a stunning focal point when paired with the evocative lighting design from Paul Whitaker. Trevor Bowen’s costume design is straightforward and clever, and provides a full picture when compared with Victor Zupanc’s sound design. We are fully enmeshed in Gabi’s world from the very outset of the show; we feel her fear from her apartment as she babysits her brother, her anxiety traveling through the halls of a new school, her shyness as she boards a cross-Chicago city bus, all thanks to this great team. Congrats to the vision of director Lisa Portes, who packs a fully realized universe in less than two hours; I Come From Arizona is easily the best thing I’ve ever seen on stage about the issue of immigration, and thanks to Portes we are all able to join the conversation.
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| Photo by Dan Norman |
I’ve always wondered if the immigration crisis continues because people can’t visualize or personalize the issue, and I Come From Arizona places you squarely in the shoes of the people most affected. It forces you to look with both eyes wide open and ask: Are children really better off without their parents? Do we really want to deport American citizens to countries they’ve never known? Are parents really so evil for wanting to provide safer places for their children to live? Don’t these kids deserve a fair opportunity at education and a prosperous life – the deified American dream – just as much as a child who was lucky enough to be born here to legacy American citizens? Are we really so stuck on technicalities that we can’t see and value humans for being just what they are – other people with hopes and dreams, just like we have?
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| Photo by Dan Norman |
I Come From Arizona will confront you with these questions and force you to witness the human toll of our current policies. It articulates what so many children are enduring right now and provides context for kids who are overhearing conversations about this issue. Although intended for kids age 8 and up, I think adults may be the people who need this show even more. As always, Children’s Theatre Company does a beautiful job with their program, providing exercises to talk about the issue and engage further with the subject of immigration once you head home. I Come From Arizona is an honest portrayal of a complicated problem, which manages to tell the truth without taking obvious sides (there are characters in this show on both sides of the spectrum). It’s a great piece of writing, an incredibly moving story, and one that can’t help but compel you to action once you’ve seen it. I highly recommend this for grownups and children alike – please make sure to go before it closes on November 25. For more information and to buy tickets, click on this link; and if you want to help the families trapped literally between borders, please consider a donation to Raices by clicking here.